She comes out carrying a long, square, boat-shaped platter piled high with six different types of sashimi. This is exactly what I meant to order, which is a miracle considering I had to try to explain in Japanese that I wanted sashimi from Hokkaido only.
With the aid of a bilingual fish info sheet she procured from some hidden closet, we confirm that what is in front of me is, from left to right: hirame (flatfish), tako (octopus), hokkigai (surf clam), hotate (scallop), amaebi (raw shrimp), and iwashi (sardine). With a bow, she withdraws, though I can see her hovering in the corner in an area she might think is just out of my sightline. She is extremely anxious to please, which I find heartwarming considering I entered her establishment alone with terrible Japanese skills in a tank top and wide-leg pajama-esque pants to take up the only non-tatami four-top in the restaurant.
At first, there’s no problem with being attentively spied upon, since the iwashi are tiny maroon-striped fatty oily wonders coupled with ginger and green onions that make me wonder why we ever bother to cook, pickle, or jar them, and the amaebi, tiny tender little pink fingers, make me forget every negative word I’ve ever said about raw shrimp having the texture of dried glue.
I get nervous as I get closer to the octopus, though. Octopus served as sashimi is almost always inedible for me, and not because I don’t like it the taste. In fact, the soft white rubber banded fat around the tentacles of this version is plump, oceany, and delicious. What I mean is that I literally cannot eat it, because my front teeth are incapable of tearing off a piece, and my molars are incapable of crushing it.
Sadly, this turns out to be the case here. The only way I’m going to be able to eat this octopus, I know, is if I tear at it with my paws like a bear at salmon, suck the fatty tentacled area off with a big slurp and leave the rest, or choke to death trying to fit a whole piece in my mouth at once. So I know I’ve got to find some other way of getting rid of it.
I’ve been faced with this dilemma at sushi bars before. I have a vivid memory, for example, of sliding a piece of slimy, rank uni (sea urchin) nigiri slowly off the bar and into a napkin-lined jacket pocket, permanently imbuing the pocket with the smell of iodine, just so the chef wouldn’t know I didn’t eat it.
But there are no pockets in my pajama-like pants to slide the octopus into, and even if there were, I’m being watched closely enough that this isn’t an option. So I eat the rest of the platter with obvious appreciative gestures, which isn’t difficult given that everything else is excellent, and as I chopstick up various pieces of fish flesh, I nudge the pile of shredded daikon and onions ever closer to the pile of octopus. With each bite that travels to my mouth, the pile of vegetables overtakes the pile of octopus, until, at last, my tastebuds are vibrating with the last rich sardine (please make it a point to try sardine sashimi, everyone, really), and the octopus is very superficially covered.
I linger for awhile with my green tea, but realize that I’d better get up and pay at the counter so she doesn’t come over and look at my platter while asking how everything is, so I do that, and after I pay (a bit of a shock at ¥3200), she delivers a mouthful, a couple sentences maybe, of utterly incomprehensible Japanese, looks at me expectantly, and when it becomes clear I have no idea what she’s talking about, abruptly leans around me to gaze directly and at length upon the contents of my vacated table.
No ‘oiishi-des’s in the world can hide my abandoned tako now.
Is this a grave expression I see coming over her face as she places her hands on her thighs, bows more deeply than she yet has, and sends me on my way? Or is it just me projecting my shame?
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